Sociology of Constitutional Age Compositions Based on Critical Discourse (Case study of Bahar's compositions)

Document Type : Original Article

Authors

1 Department of Persian Language and Literature, Faculty of Humanities, Azad University, Bonab Branch, Bonab, Iran

2 Department of Persian Language and Literature, Faculty of Humanities, Shahid Madani University, Tabriz Branch, Tabriz, Iran

Abstract

The constitutional revolution also transformed the literary system due to changes in the system of government, although it should not be forgotten that this revolution, in turn,It was his own, and so the music, poetry, and literature of this period contributed to the victory of the Constitutional Revolution. Discourse analysis is essentially interpretive reading, and the writings of the constitutional era, like situational texts, have been identified as the product of this period. The discourse of music in the compositions of this period, as a semantic system on the construction of society, has been able to have an organized connection with the semantic world of the constitutional period. Here discourse is the place where music and power collide. That is, power has been decentralized as a subject, and discourse has emerged as musical propositions. Patriotic compositions were one of the powerful tools for spreading the message of constitutionalism, as well as what social, political, cultural and economic developments during this period influenced the production of music.The components of nationalism, liberalism, secularism, socialism, democracy, and parliamentarism, which underlie the socio-political conditions that influence the production of the discourse of constitutional music and the critique of the ruling power, have been considered in Malek al-Shoarai Bahar Balik's poems. The method used in this research is based on description and analysis and the research data has been studied using content and library analysis method.

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