Investigating and Analyzing the Intertextual Presence of Sanai’s poems in the Qaemiat Divan Based on the Gerard Genette's intertextuality theory

Document Type : Original Article

Authors

1 PhD student in Persian Language and Literature, Faculty of Literature, Ferdowsi University, Mashhad, Iran.

2 Associate Professor, Department of Persian Language and Literature, Faculty of Literature, Ferdowsi University, Mashhad, Iran.

3 Assistant Professor, Department of Persian Language and Literature, Faculty of Literature, Ferdowsi University, Mashhad, Iran.

Abstract

Intertextuality is a textualist theory that analyzes and interprets the meaning of texts, reading and receiving text in the poststructuralist paradigm. Divan-e Qaemiyat is also a poem by Hassan Mahmoud Katib (645) nicknamed Jalaluddin. The aim of the present study is to show to what extent and how the intertextual dependence of Divan Ghaemiyat on Sanai poems is. For this purpose, after identifying all the appearances of Sanai's poems in Ghaemiyat Divan, these texts were quoted, referred to, alluded to, and plagiarized through Gerard Genet's intertextual theory and four types of intertextuality. The purpose of research is to better understand and understand the meaning of the poems of Divan Ghaemiyat through discovering and analyzing various intertextual relations. The research method is descriptive-analytical. The result of the research showed that the extensive intertextual relationship of Divan Ghaemiyat with Sanai works is not explicit and only of the type of quotation and reference, but in some poems, implicit and hidden intertextuality, ie types of allusion and literary theft, are also present. Therefore, most of the presence of some texts of Sanai poems is evident in this divan.

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